They killed you.
How am I supposed to forgive that?
They put a bullet through his head
They put a bullet through my heart
How do they expect me to forgive that?
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All in Blog
They killed you.
How am I supposed to forgive that?
They put a bullet through his head
They put a bullet through my heart
How do they expect me to forgive that?
When we talk about Palestinian resistance, certain things automatically come to mind, such as the BDS call by Palestinian Civil Society; Sumud (steadfastness) of the people in Gaza; Palestinian hunger strikers among others. But we often miss to mention one important aspect of resistance that all oppressed people have protected for hundreds of years – Art.
The United States needs a publication that has a Palestinian voice with a dedication to Palestinian interests; A news outlet that dedicates itself to holding the U.S. accountable for its role in the brutal occupation of Palestine; and highlight the beautiful Palestinian-American culture that has flourished throughout the United States.
In the eighth episode of Zahra Haider’s Memoirs of a Stolen Land, “Connections as a Global Issue,” Omar Offendum talks about his art and activism and how it relate to Palestine. Offendum discusses the Palestinian conflict on how it has become a metaphor for other struggles around the world.
“Memoirs of a Stolen Land: Identity” is the sixth episode of the powerful film series. It features Aneesa Johnson an African and Palestinian American Northwestern University student who speaks about her identity and how that relates to the work she currently does for Palestine.
Rehab sat on a beige sofa in her house, hands intertwined loosely in her lap on a fall Sunday afternoon. Her face appeared smooth with a slight cheekbone flush and her hair was pulled back from her neck in a simple bridal bun creating an ideal position to rest her mesh veil.