All in Film

Film Review: Farha

While I am not Palestinian, as a Puerto Rican, I can empathize with the feeling of knowing my family's homeland has fallen victim to Western imperialism. Puerto Rico has not known independence since Columbus landed on our shores in 1493. At one point in history, the American government outlawed the very presence of our flag, the symbol of our pride. Because of this, the resiliency of the Palestinian people has always resonated with me, and I am absolutely positive that the story of Farha will resonate with you too.

Letter from the Guest Editor

Through this edition, I have offered you readers a mere glimpse into the rich world that is Palestinian film–there are so many artists, producers, curators, editors, and more that I would love to share with you, but we only had so much space and time. That said, I am thrilled to be able to offer you a piece of my teachers and peer practitioners who are rebuilding the Palestinian image archive.

Palestine in America is publishing its first Film Edition

Palestine in America is finalizing our first Film Edition. Ryah Aqel (she/her), cultural producer, writer, and multimedia artist, will use her expertise to be our guest editor.

In 2020, she produced Darine Hotait and Hala Alyan's TALLAHASSEE, distributed by The New Yorker. She was previously a Sundance Institute Knight Foundation fellow and a Sundance Institute Women in Film Finance & Strategy Intensive fellow.